Juliet is almost always associated with light. Almost immediately before Romeo meets Juliet, there is a foreshadowing by Romeo of his meeting with Juliet. “Give me a torch. I am not for this ambling. / Being but heavy, I will bear the light” (I.4.11-12). Not only is this a pun on the word light, but it is also a foreshadowing of Romeo’s bearing the light that is Juliet’s love. It is also ironic because Romeo cannot bear the light of Juliet’s love. When Romeo first sees Juliet he instantly compares her to light.
O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
As a rich Jewel in an Ethiop’s ear –
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows
As yonder lady o’er her fellows shows (I.5.45-50).
This light imagery shows what Romeo truly thinks of Juliet and of Rosaline. Earlier, Benvolio said he would make Rosaline seem as if she were a crow. Now Romeo does think every other woman except for Juliet as dark as crows, and Juliet is the only white dove among these black crows. In fact, Juliet is so bright that she teaches torches how to burn and is as bright as a jewel in an Ethiopian’s ear. Among this light imagery is a foreshadowing of things to come. When Romeo says, “Beauty too rich for use, for earth too dear!”(I.5.48) he foreshadows sleeping in the tomb immediately after he kills Paris.
A grave? O, no, a lantern, slaughtered youth,
For here lies Juliet, and her beauty makes
This vault a feasting presence full of light (V.3.84-86)
Juliet is so bright, that even after death she can make a tomb appear as a lantern to Romeo. Juliet was Romeo’s true love, which shows when he describes the light she emanates even after death. Before her death, Juliet even compares the love between them as “Lightening”(II.2.121). This light image is mostly to emphasize how quickly they are falling in love, and how foolish that can be. But, this image could also be seen as their love is like a bright light flashing across a dark night sky. It is a true and quickly-ending love among feuding families.
Themes are the fundamental and often universal ideas explored in a literary work.
The Forcefulness of Love
Romeo and Julietis the most famous love story in the English literary tradition. Love is naturally the play’s dominant and most important theme. The play focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet. In Romeo and Juliet, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, the young lovers are driven to defy their entire social world: families (“Deny thy father and refuse thy name,” Juliet asks, “Or if thou wilt not, be but sworn my love, / And I’ll no longer be a Capulet”); friends (Romeo abandons Mercutio and Benvolio after the feast in order to go to Juliet’s garden); and ruler (Romeo returns to Verona for Juliet’s sake after being exiled by the Prince on pain of death in 2.1.76–78). Love is the overriding theme of the play, but a reader should always remember that Shakespeare is uninterested in portraying a prettied-up, dainty version of the emotion, the kind that bad poets write about, and whose bad poetry Romeo reads while pining for Rosaline. Love in Romeo and Juliet is a brutal, powerful emotion that captures individuals and catapults them against their world, and, at times, against themselves.
The powerful nature of love can be seen in the way it is described, or, more accurately, the way descriptions of it so consistently fail to capture its entirety. At times love is described in the terms of religion, as in the fourteen lines when Romeo and Juliet first meet. At others it is described as a sort of magic: “Alike bewitchèd by the charm of looks” (2.Prologue.6). Juliet, perhaps, most perfectly describes her love for Romeo by refusing to describe it: “But my true love is grown to such excess / I cannot sum up some of half my wealth” (3.1.33–34). Love, in other words, resists any single metaphor because it is too powerful to be so easily contained or understood.
Romeo and Juliet does not make a specific moral statement about the relationships between love and society, religion, and family; rather, it portrays the chaos and passion of being in love, combining images of love, violence, death, religion, and family in an impressionistic rush leading to the play’s tragic conclusion.
Love as a Cause of Violence
The themes of death and violence permeate Romeo and Juliet, and they are always connected to passion, whether that passion is love or hate. The connection between hate, violence, and death seems obvious. But the connection between love and violence requires further investigation.
Love, in Romeo and Juliet, is a grand passion, and as such it is blinding; it can overwhelm a person as powerfully and completely as hate can. The passionate love between Romeo and Juliet is linked from the moment of its inception with death: Tybalt notices that Romeo has crashed the feast and determines to kill him just as Romeo catches sight of Juliet and falls instantly in love with her. From that point on, love seems to push the lovers closer to love and violence, not farther from it. Romeo and Juliet are plagued with thoughts of suicide, and a willingness to experience it: in Act 3, scene 3, Romeo brandishes a knife in Friar Lawrence’s cell and threatens to kill himself after he has been banished from Verona and his love. Juliet also pulls a knife in order to take her own life in Friar Lawrence’s presence just three scenes later. After Capulet decides that Juliet will marry Paris, Juliet says, “If all else fail, myself have power to die” (3.5.242). Finally, each imagines that the other looks dead the morning after their first, and only, sexual experience (“Methinks I see thee,” Juliet says, “. . . as one dead in the bottom of a tomb” (3.5.55–56). This theme continues until its inevitable conclusion: double suicide. This tragic choice is the highest, most potent expression of love that Romeo and Juliet can make. It is only through death that they can preserve their love, and their love is so profound that they are willing to end their lives in its defense. In the play, love emerges as an amoral thing, leading as much to destruction as to happiness. But in its extreme passion, the love that Romeo and Juliet experience also appears so exquisitely beautiful that few would want, or be able, to resist its power.
Shakespeare's tips for breaking up with someone
The Individual Versus Society
Much of Romeo and Juliet involves the lovers’ struggles against public and social institutions that either explicitly or implicitly oppose the existence of their love. Such structures range from the concrete to the abstract: families and the placement of familial power in the father; law and the desire for public order; religion; and the social importance placed on masculine honor. These institutions often come into conflict with each other. The importance of honor, for example, time and again results in brawls that disturb the public peace.
More main ideas from Romeo and Juliet